Premieres on March 12

We already warn it you yesterday: spent the Oscars, the uncultivated land. The quality premieres will shine for his absence in a laaarga period. Movies worth being visionadas will be sprouting here and there, but of sporadic form. For more inri, it seems that we return to times of our parents: Alice de Tim Burton does not make début until April, with a month of delay with regard to the United States, where it is triumphing. Does anybody understand it?

Ciñéndonos to this second weekend of March, is here the (small thing) that we have:

- Green Zone. Protected district: I feel like thinking that another movie on Iraq, when the success is recent in the Oscars of In hostile ground, does not fall down in the best moment. There will be the one who thinks that it can go to loud snort of the rewarded tape of Bigelow, but I decide in favor of the factor saturation. Saying this, it does not have bad face. Matt Damon and Paul Greengrass, tandem of the second and third deliveries of the saga Bourne, serve a product róximo to the action thriller but centred on a matter more polemic than of In hostile ground: the weapons of mass destruction search in the first days of the war. The above mentioned: it does not have bad face.

- Extraordinary measurements: Harrison Ford (that we like, in spite of what any of them could think) form short duet with more and more vague Brendan Fraser about a history of incurable illnesses and bioethics based on real facts. Slightly appetizing …

- The concert; Flower of the desert: European quota.

- Role birds: for once we are not going to say that thing about typically Spanish product, because the trailer promises and the criticism is very appreciative. Emilio Aragón directs and ambienta in the postwar period, but not as it we are going to have prejudices. It will be necessary to see it.

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Movies free: Born of hope

Across The Country we find out about a nice and curious history. Kate Madison, an unknown English actress, managed to save 8.000 pounds to roll a trailer on his cinematographic project: nothing more and neither more nor less than the Arathorn adventures, the Aragorn father in the famous trilogy of Tolkien The Lord of the Rings. It hung the trailer on Youtube asking for voluntary donations to realize the movie, and in a little time it managed to assemble 25.000 pounds, approximately 28.00 euros, thanks to the contribution of hundreds of fans of the saga. But not only it received money: approximately four hundred persons offered to collaborate in the movie like actors, make-up artists, barbers … Madison could realize this way his sleep.

And his sleep, of 70 minutes of duration (although a widespread version exists), is called Born of Hope. It can turn free on his web page, and it is subtitled to a ten languages, between them Spanish. More than one million persons has already seen what of course is, (that Fran Casonova excuses to us), the best Fan Film of the history. Or at least that of more success.

Certainly, an example more power of call that they have Social Average. We leave you with the trailer. And if you want to see the entire movie, enter in www.bornofhope.com you will remain with the open mouth.

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Tim in the Wonderland

A few months ago him arreábamos a stick to the friend Tim Burton for the absence of originality of his last projects. We were accusing him of adapting matador and catastrophe, instead of rolling proper histories. And it is not that we are going to go back four months later, but to César what belongs to César: his approach to Alice in the Wonderland has already collected more than 430 million dollars.

Without releasing still in several countries (included Spain, where it will be necessary to wait one month), in the United States has been the whole blow with a ball: almost 210 kilos in two weekends. In the first one it opened with a few tremendous 116 millions, the majority of them in the form 3-D, heredity of the footpath opened by Incarnation. With Shutter Island either folding sails, and the Cameron tape purifying the last dollars, the way is much cleared for the last of Burton; between other things, because it has melted without palliative the Green Zone of Damon and Greengrass, which it has punctured in bone.

That we were wondering what reception a history as trite would have as that of Alice spent by the filter burtoniano, already we have answer: round success. Disney rubs the hands and the slovenly film maker receives an injection of self-esteem that, of step, confirms the enormous pull of Johnny Depp, shortly personifying again the pirate Jack Sparrow.

In expectation of a more original Burton, let's congratulate him on his crushing support in the box office.

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