Tim in the Wonderland

A few months ago him arreábamos a stick to the friend Tim Burton for the absence of originality of his last projects. We were accusing him of adapting matador and catastrophe, instead of rolling proper histories. And it is not that we are going to go back four months later, but to César what belongs to César: his approach to Alice in the Wonderland has already collected more than 430 million dollars.

Without releasing still in several countries (included Spain, where it will be necessary to wait one month), in the United States has been the whole blow with a ball: almost 210 kilos in two weekends. In the first one it opened with a few tremendous 116 millions, the majority of them in the form 3-D, heredity of the footpath opened by Incarnation. With Shutter Island either folding sails, and the Cameron tape purifying the last dollars, the way is much cleared for the last of Burton; between other things, because it has melted without palliative the Green Zone of Damon and Greengrass, which it has punctured in bone.

That we were wondering what reception a history as trite would have as that of Alice spent by the filter burtoniano, already we have answer: round success. Disney rubs the hands and the slovenly film maker receives an injection of self-esteem that, of step, confirms the enormous pull of Johnny Depp, shortly personifying again the pirate Jack Sparrow.

In expectation of a more original Burton, let's congratulate him on his crushing support in the box office.

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